Here are this week's Friday Fun Facts about Diana Gabaldon's books.
1) The picture above shows a silver quaich, similar to the one used at the oath-taking at Castle Leoch in OUTLANDER:
"We are honored by your offer of friendship and goodwill," said Colum clearly. "We accept your obedience and hold you in good faith as an ally of the clan MacKenzie."Here's some interesting trivia about quaichs. I've never actually seen a quaich in real life, but I think they're beautiful. Maybe I'll pick one up when I'm in Scotland this summer? <g>
There was a lessening of the tension over the hall, and almost an audible sigh of relief in the gallery as Colum drank from the quaich and offered it to Jamie. The young man accepted it with a smile. Instead of the customary ceremonial sip, however, he carefully raised the nearly full vessel, tilted it and drank. And kept on drinking. There was a gasp of mingled respect and amusement from the spectators, as the powerful throat muscles kept moving. Surely he'd have to breathe soon, I thought, but no. He drained the heavy cup to the last drop, lowered it with an explosive gasp for air, and handed it back to Colum.
"The honor is mine," he said, a little hoarsely, "to be allied with a clan whose taste in whisky is so fine."
(From OUTLANDER by Diana Gabaldon, chapter 10, "The Oath-Taking". Copyright© 1991 by Diana Gabaldon. All rights reserved.)
2) The picture above is called "The Great Wave off Kanagawa", a wood-block engraving by a 19th-century Japanese artist named Hokusai. (Click on the picture to see a bigger view.)
What does a Japanese artist's rendering of a tidal wave have to do with OUTLANDER? All of Diana's books have a "shape". Here's how Diana described the shape of A BREATH OF SNOW AND ASHES, in a post on Compuserve, in November, 2005, shortly after that book was published:
A BREATH OF SNOW AND ASHES isn't a tempest, though--it's a double tidal wave. <g> If you look at the Japanese wood-block print I mentioned in describing it (Google "The Great Wave Off Kanagawa"), you see the enormous cresting wave, spilling bits of water from the crest (these would be the various plot elements), towering over several small boats full of people--and in the background, Mount Fuji stands unmoved. That--Mt. Fuji--would be Jamie and Claire's relationship, if you want to get symbolic, while the "crest" of the first wave is reached with Claire's rescue and Grannie Wilson's resurrection (which is the symbolic spiritual resolution of that particular episode). The second wave then begins to build from a much lower point of tension, rising to (we hope) an even higher peak as it threatens all the characters in their frail little boats. And at the end, Mount Fuji is still standing. <g>I like this image because it fits very well with my experience while re-reading ABOSAA. That book always leaves me emotionally drained, exhausted, by the end. I think the idea that the readers, as well as the characters in the story, have been tossed onto the shore at the very end of the book by some gigantic wave is not hard to imagine at all. <g> I always need a bit of time to recover after I finish a re-read (or "re-listen") of ABOSAA, and this picture helps to explain why.
3) The picture above shows a 1960 Morris Minor, similar to Roger's car. (Although I imagine Roger's car as looking much more beat-up.) Click on the picture to see a bigger view.
Brianna drove the little car slowly up the slope of the quilt over Roger's leg, across his stomach, and into the center of his chest, where he captured both the car and her hand, giving her a wry grin.And it is indeed hard to imagine how a 6'3" man would fold himself into the driver's seat of a car that tiny.
"That's a really good car," she said, pulling her hand loose and rolling comfortably onto her side beside him. "All four wheels turn. What kind is it? A Morris Minor, like that little orange thing you had in Scotland? That was the cutest thing I ever saw, but I never understood how you managed to squeeze into it."
"With talcum powder," he assured her. He lifted the toy and set a front wheel spinning with a flick of his thumb.
(From A BREATH OF SNOW AND ASHES by Diana Gabaldon, chapter 74, "So Romantic". Copyright© 2005 by Diana Gabaldon. All rights reserved.)
4) Those of you who have read AN ECHO IN THE BONE will remember William's adventure in the swamp (chapter 36, "The Great Dismal"). Here's a video that I found a couple of years ago on the website of the Raleigh News and Observer, my local newspaper.
This is probably not the same swamp that William got lost in, in ECHO (I think he was closer to the NC-Virginia border, whereas this video was taken in a swamp in present-day Bladen County, NC, in the southern part of the state), but the video makes it easy to imagine what it must have been like. I especially like hearing what the swamp sounds like. <g> When I posted this on Compuserve back in 2010, Diana's comment was:
Many thanks! Very beautiful, and very much like the Great Dismal! (Imagine walking through knee-deep water through there, in the grip of a high fever.)
5) A white piglet. I like to think that this may have been what the White Sow looked like, when Jamie and Claire first acquired her. At this stage it looks pretty cute and harmless, but appearances can be deceiving!
At the moment, our total stock consisted of a small white piglet, which Jamie had obtained from a Moravian settlement thirty miles away, exchanging for it a bag of sweet yams I had gathered and a bundle of willow-twig brooms I had made. Rather too small for the penfold, it had so far been living in the shed with us, where it had become fast friends with Rollo. I wasn't quite so fond of it myself.Considering how much trouble that White Sow was going to cause in the next few years, I'm not sure whether they got a bargain or not. <g> I hope you enjoyed these Friday Fun Facts! Look here to see all of my Friday Fun Facts blog posts. And please stop by next week for more!
(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 19, "Hearth Blessing". Copyright© 1997 by Diana Gabaldon. All rights reserved.)